Works Cited
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Danticat, Edwidge. Create Dangerously: The Immigrant Artist at Work. Princeton UP, 2010.
Furusa, Munashe, William A. Little, and Irene Vasquez. “Theory, Concept and Analysis of Diaspora.” The Borders in All of Us: New Approaches to Global Diasporic Societies, edited by William A. Little, Selase W. Williams, Irene Vasquez, Munashe Furusa, and Jung-Sun Park, New World African P, 2006, pp. 1-9.
Hall, Stuart. “Cultural Identity and Diaspora.” Colonial Discourse and Post-Colonial Theory: A Reader, edited by Patrick Williams and Laura Chrisman, Columbia UP, 1994, pp. 392-403.
Johnson, John William. “Orality, Literacy, and Somali Oral Poetry.” Journal of African Cultural Studies, vol. 18, no. 1, 2006, pp. 119-136.
King, Thomas. The Truth About Stories: A Native Narrative. U of Minnesota P, 2008.
Nosferatu. Performance by Max Schreck, Prana Film, 1922.
Out of Africa. Performance by Malick Bowens, Mirage Enterprises, 1985.
Pfaff-Czarnecka, Joanna. “From ‘Identity’ to ‘Belonging’ in Social Research: Plurality, Social Boundaries, and the Politics of the Self.” Working Papers in Development Sociology and Social Anthropology, 2011, https://www.ssoar.info/ssoar/handle/document/43102. Social Science Open Access Repository. Accessed 10 Nov. 2018.
Powell, Malea. “Listening to Ghosts: An Alternative (Non)Argument.” ALT DIS: Alternative Discourse in the Academy, edited by Christopher Schroeder, Helen Fox, and Patricia Bizzell, Heinemann, 2002, pp. 11-22.
Rhodes, Jacqueline, and Jonathan Alexander. “Introduction.” Techne: Queer Meditations on Writing the Self. Computers and Composition Digital P, 2015, https://ccdigitalpress.org/book/techne/introduction.html. Accessed 6 Nov. 2018.
---. Techne: Queer Meditations on Writing the Self. Computers and Composition Digital P, 2015, https://ccdigitalpress.org/book/techne/. Accessed 6 Nov. 2018.
Royster, Jacqueline Jones, and Gesa E. Kirsch. Feminist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies. Southern Illinois UP, 2012.
Selfe, Cynthia L. “The Movement of Air, the Breath of Meaning: Aurality and Multimodal Composing.” College Composition and Communication, vol. 60, no. 4, 2009, pp. 616-663.
The Wonder Years. Created by Neal Marlens and Carol Black, The Black-Marlens Company, 1993.
Hidalgo | Chambers | Hutchinson
Shade-Johnson | Brentnell | Leger
Braude | Sweo | Nur Cooley
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Intermezzo, 2018