Abramson, Kate. "Turning Up the Lights on Gaslighting." Philosophical Perspectives, vol. 28, no. 1, 2014, https://onlinelibrary.wiley.com/doi/full/10.1111/phpe.12046. Accessed 8 Nov. 2018.
Alexander, Jonathan, and Jacqueline Rhodes. "Queer: An Impossible Subject for Composition." JAC, vol. 31, no. 1, 2011, pp. 177-206.
Banks, William. "Written Through the Body: Disruptions and 'Personal' Writing." College English, vol. 66, no. 1, 2003, pp. 21-40.
Berger, James. "Trauma Without Disability, Disability Without Trauma: A Disciplinary Divide." JAC, vol. 24, no. 3, 2004, pp. 563-582.
Brown, Elissa, and Richard Heimberg. "Effects of Writing About Rape: Evaluating Pennebaker's Paradigm with a Severe Trauma." Journal of Traumatic Stress, vol. 14, no. 4, 2001, pp. 781-790.
Debo, Angie. Oklahoma: Footloose and Fancy Free. Praeger, 1982.
Fassler, Joe. "How Doctors Take Women's Pain Less Seriously." The Atlantic, 15 Oct. 2015, https://www.theatlantic.com/health/archive/2015/10/emergency-room-wait-times-sexism/410515/. Accessed 2 Nov. 2018.
Hesford, Wendy. Spectacular Rhetorics: Human Rights Visions, Recognitions, Feminisms. Duke UP, 2011.
Hornbacher, Marya. Wasted: A Memoir of Anorexia and Bulimia. Harper Perennial, 2014. Kindle edition.
LeResche, Linda. "Defining Gender Disparities in Pain Management." Clinical Orthopaedics and Related Research, vol. 469, no. 7, 2011, https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3111774/. Accessed 8 Nov. 2018.
Linenthal, Edward T. Unfinished Bombing: Oklahoma City in American Memory. Oxford UP, 2003.
McLean, Kirsten. "Hiding in the Closet? Bisexuals, Coming Out, and the Disclosure Imperative." Journal of Sociology, vol. 43, no. 2, 2007, pp. 151-166.
Powell, Malea, et al. "Our Story Begins Here: Constellating Cultural Rhetorics." enculturation, no. 18, http://www.enculturation.net/our-story-begins-here. Accessed 12 Jan. 2017.
Royster, Jacqueline Jones. "When the First Voice You Hear Is Not Your Own." College Composition and Communication, vol. 47, no. 1, 1996, pp. 29-40.
Shipka, Jody. Toward a Composition Made Whole. U of Pittsburgh P, 2011.
|